Anja Rubik, one of the best world top model, has 30th birthday today. She is like chameleon! Happy Birthday Anja!
Anja Rubik was born in Rzeszów, Poland on June 12, 1985. Growing up, Anja lived in Greece, Canada, and South Africa and began modeling full- time after graduating from a British high school in Paris. Rubik can be seen in numerous editorials for Vogue, Numero, Harper’s Bazaar, etc. More information and photographs of Anja can be found on her website: AnjaRubik.com
Anja is also Editor in Chief of 25 Magazine.
Paris Photo, 16th edition at the Grand Palais — the best of 19th century, modern and contemporary photography in the heart of Paris. This year the Paris Photo Platform features 4 days of conferences directed by Roxana Marcoci, Curator of Photography at The Museum of Modern Art, New York, with the special contribution of Paul Holdengräber, Director of „LIVE from The New York Public Library.” Structured as an experimental platform for critical discussions, the Paris Photo Platform engages in dynamic and robust debates about the expanded field and perspectives of photography. Participants feature an international roster of leading artists, architects, filmmakers, cultural historians, and theorists in the field exchanging ideas on the relational contexts in which photography operates today.
15-18 November 2012
Grand Palace, Paris, France
Herb Ritts revolutionized fashion photography, modernized the nude, and transformed celebrities into icons.
Through hard work and a distinctive vision, Herb Ritts (1952–2002) fashioned himself into one of the top photographers to emerge from the 1980s. Ritts’s aesthetic incorporated facets of life in and around Los Angeles. He often made use of the bright California sunlight to produce bold contrasts, and his preference for outdoor locations such as the desert and the beach helped to separate his work from that of his New York-based peers. Ritts’s intimate portraiture, his modern yet classical treatment of the nude, and his innovative approach to fashion brought him international acclaim and placed him securely within an American tradition of portrait and magazine photography that includes Richard Avedon, Robert Mapplethorpe, and Irving Penn.
In the 1930s, as the public began to feel the effects of the Great Depression, many designers found that crises are not the time for experimentation. Fashion became more compromising, aspiring to preserve feminism’s victories while rediscovering a subtle and reassuring elegance and sophistication. Overall, 1930s clothing was somber and modest, reflecting the difficult social and economic situation of the decade. Women’s fashions moved away from the brash, daring style of the 1920s towards a more romantic, feminine silhouette. The waistline was restored, hemlines dropped, there was renewed appreciation of the bust, and backless evening gowns and soft, slim-fitting day dresses became popular. The female body was remodeled into a more neo-classical shape, and slim, toned, and athletic bodies came into vogue. The fashion for outdoor activities stimulated couturiers to manufacture what would today be referred to as „sportswear.” The term „ready-to-wear” was not yet widely in use, but the boutiques already described such clothes as being „for sport.”
The period between the two World Wars, often considered to be the Golden Age of French fashion, was one of great change and reformation. Carriages were replaced by cars, princes and princesses lost their crowns, and haute couture found new clients in the ranks of film actresses, American heiresses, and the wives and daughters of wealthy industrialists.