This photo, titled Candy Cigarette, not just displays something, it tells a story. It is both emotional and beautiful. This is what the originality of black-and-white-photography is all about.

 

 

Sally Mann
‘Candy Cigarette’
1989
from the series Immediate Family

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Paris Photo, 16th edition at the Grand Palais — the best of 19th century, modern and contemporary photography in the heart of Paris. This year the Paris Photo Platform features 4 days of conferences directed by Roxana Marcoci, Curator of Photography at The Museum of Modern Art, New York, with the special contribution of Paul Holdengräber, Director of „LIVE from The New York Public Library.” Structured as an experimental platform for critical discussions, the Paris Photo Platform engages in dynamic and robust debates about the expanded field and perspectives of photography. Participants feature an international roster of leading artists, architects, filmmakers, cultural historians, and theorists in the field exchanging ideas on the relational contexts in which photography operates today.

15-18 November 2012
Grand Palace, Paris, France

Full program

London Street Photography  documents the movement, diversity and seeming incoherence of the most multicultural city in the world. Its defining characteristic is the keen eye of the photographer catching the moment of a chance encounter, a fleeting expression or a momentary juxtaposition in a decisive click. The first ‚instantaneous’ London street scenes were taken in the early 1860s, and the 20th century saw many photographers, famous and lesser-known, continue to capture the daily life of London. London Street Photography showcases the Museum of London’s unique historic collection of photographs. It contains the work of more than seventy photographers and is a fascinating view of London street life of the last 150 years. It includes the work of well-known photographers such as Paul Martin, John Thomson, Humphrey Spender, Bert Hardy, Laszlo Moholy-Nagy, Roger Mayne and Tony Ray-Jones as well as the work of many anonymous photographers whose contribution has been just as important in recording the story of the city.

Publisher: Museum of London/Dewi Lewis

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La Tomatina is a festival that is held in the Valencian town of Bunol, located inland from the Mediterranean Sea, that brings together thousands of people for one big tomato fight – purely for fun! It is held on the last Wednesday of August, during the week of festivities of Bunol. One theory – the most popular of many theories – about the origins of the “fight” dates back to 1945, when (during a parade) young men staged a brawl in the town’s main square, the Plaza del Pueblo. There was a vegetable stand nearby, so they picked up tomatoes and used them as weapons. The police had to intervene to break up the fight and forced those responsible to pay the damages incurred. Bunol’s town hall estimated more than 40,000 people, some from as far away as Japan and Australia, took up arms with 100 tons of tomatoes in the yearly food fight known as the ‚Tomatina,’ now in its 64th year.

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Waste Landscape is a monumental art work that takes up the “Halle d’Aubervilliers” 1000square meters in the CENTQUATRE, from the 21st of July to the 10th of september in Paris. “WasteLandscape” is a 500 square meters artificial undulating landscape covered by an armor of 65,000 unsold or collected CDs, which have been sorted and hand-sewn.

It is well known that CDs are condemned to gradually disappear from our daily life, and to later participate in the construction of immense open-air, floating or buried toxic waste reception centers. Made of petroleum, this reflecting slick of CDs forms a still sea of metallic dunes: the art work’s monumental scale reveals the precious aspect of a small daily object. The project joins a global, innovative and committed approach, from its means of production until the end of its “life”.

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The first edition of Magnum Magnum was the photography book of the decade, a landmark publication that celebrated the vision, imagination and brilliance of the world’s most renowned photographic agency.

With over 400 images selected by Magnum’s photographers, this is at once a permanent record of many of the iconic images from the last 60 years by a legendary creative collective, and an insight, as seen through the critical eyes and minds of Magnum photographers, into what makes a great photograph.

Magnum Magnum harks back to Magnum’s early days, evoking the spirit of what made it such a unique creative environment, where each of the four founding members picture-edited the others’ photographs. Here, a current Magnum photographer selects and critiques six key works of another of the 69 photographers featured, with a commentary explaining the rationale behind their choice.


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